Friday, February 24, 2012

Happy Birthday, Marisa! (250th Entry)

Today on February 24th 1939 Marisa Mell was born in Graz as Marlis Moitzi! Had she survived her illness 20 years ago she would have been 73 years old today! Sadly she did not! Nevertheless a happy birthday, Marisa, wherever you are! 

Wednesday, February 1, 2012

"Bitte zu Tisch"

 
On Sunday March 18th 1977 the Austrian state television ORF broadcasted a culinary programme called "Bitte zu Tisch" presented by the singer-actress-presenter Helga Papouschek. The aim of the programme was to invite guests from showbusiness and culture in general from the German speaking coutries in Europe to talk about their projects, present and past, while eating the meals that they had cooked previously in the studio kitchen. Being state television in 1977 the show was very, and I mean very, formal in its execution. Even the British could not have made a programme more upper stiff lipped than this programme. Starting from the old fashioned title card, even for that time, my god we are in the hip 70's, the producer used as back ground of a menu dating back to 1887 over the very formal talking presenter who hardly dared to move to the very formal cooking of the recipes! Gordon Ramsey or Jamie Oliver are decades away. If they used talking dummies nobody would have noticed it!
Luckily for Helga Papouschek this programme is only a blip on her resumé as a presenter. In later years after the year 2000 she became quite famous in her career as opera and operette singer in Vienna, Austria and the German speaking countries untill this day she is highly respected for her krafts. She has probably forgotten all about this show and that is fine, so would I if I had presented it like she had.
On this March 18th 1977 show Helga Papouschek had as guest next to Marisa Mell the German devil do all actor-singer-composer Freddy Quinn. Freddy Quinn has a career spanning almost 55 years and is still highly respected in Germany, although in recent years after the death of his beloved wife for more than 50 years he has semi-officially retired from show business in Hamburg, Germany.
And then there is of course the one and only Marisa Mell. People who knew Marisa Mell more privately told that she was a rather good cook and knew what she was doing in the kitchen. Guests enjoyed her food very much. The presenter mentions at the beginning of the show that a previous guest another famous Austrian actor Werner Pochath called a recipe "Scampis Marisa" which of course flattered Marisa Mell hearing this that a recipe was called after her.
The show meanders on from one guest to the other and back not very well structured but still very formal. Freddy Quinn is in his element almost kicking on the formality of the show, but Marisa Mell is at moments very uneasy and tries to fit in but hardly succeeds. Untill she gives up and starts adopting also the eating formality by being over polite at the table in trying to eat with chop sticks what has been cooked by Freddy Quinn a chinese dish called "Tan Guan", whatever that may mean! Never heard of it!
Then it is time for Marisa Mell to go to the kitchen and cook her recipe. It is called "Heidensterz" a recipe from the part of Germany called Schlesien or Austria called Steiermark. At the end of the entry you find the German version of this recipe. Please do not ask to translate this recipe into English! Hit it, Marisa!
And then it is back to the table babbling about the careers of both guests! Who could top the other in having the interesting show career: Freddy Quinn or Marisa Mell??? Let's hear what Marisa Mell has to say about that! 
We learn from Marisa Mell that she was in the muscial Mata Hari on Broadway for 6 months performing 8 times a week. It was a hell of job but Freddy Quinn said with a lot of knowledge that "she was now a Broadway star, the highest regard that an actress could achieve in the US". Unfortunately this was complete nonsenses from Marisa Mell  and Freddy Quinn because a) the show never did get to Broadway but was tanked in Washington DC after one performance being that bad and b) untill this day being an Oscar winner is still the heighest acclaim an actress can achieve, maybe equiled by a Tony Award for theatre performances! Luckily the internet did not exist at that time otherwise the presenter would have blown this away as a clear lie!
 
And then suddenly the show becomes really interesting for Marisa Mell completists. She tells the presenter that she loved making "Danger: Diabolik!", has never seen it since the première of the movie, and is one of her favorite movies to this date. The programme was taped around the 20th of February 1977 because Marsia Mell mentions that her latest movie "Casanova & C°" with Tony Curtis will have its world première in Vienna, Austria, on February 25th 1977, one day after her birthday! And for me unkown information untill now was the mention that Marisa Mell was planning on starting her next film in the summer of 1977 a movie with Anthony Quinn in Arabia, did she mean Saudi Arabia and Turkey. Filming would take almost up to a year. The project never came into existence for Marisa Mell. Anthony Quinn did make a movie in 1977 called "The Message" filmed in Arabia. How, and more importantly, if Marisa Mell was really connected to this movie, is unkown. Maybe she heard this through the grape vine in Rome that Anthony Quinn was going to shoot this movie and needed an excuse for the show to show that she was still in demand by producers to star in movies with other older Hollywood stars? Who knows??? Fact is that the career of Marisa Mell was already in decline in rappid tempo. Her next project would be the Helmut Berger starrer "La Belva col Mitra", famous now for her brutal rape scene and then there were some TV-projects. So no big Hollywood or other movie projects! Reality check for the once highly demanded star! What is also a dead give away that Marisa Mell was not very rich anymore is the way she dressed for this show in a plain red pullover and dark vest. Nothing glamours here or Italian high fashion that she once wore with great class at the beginning of the 70's, only 7 years previous but probably an eternity for Marisa Mell.
Marisa Mell lost in thought after the taping of the show: "God am I glad that this torture is over! If I forgot why I escaped to sunny cheerfull Rome, Italy, now I do remember why! Never ever again!"
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As alway a big thank you to André Schneider for pointing out the existence of this programme with Marisa Mell. Thanks Buddy!
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If you like to cook the recipe that Marisa Mell made in this programme this is the German version of it:

Zubereitung für Heidensterz (Buchweizenmehlsterz)

Mann schüttet ½ Pfund Buchweizenmehl in 1 ½ l kochendes Salzwasser, deckt den Topf zu und läßt es etwa 10 Minuten an der Seite des Feuers kochen. Dann löst man das Mehl vom Rande des Kochtopfes ab und dreht den ganzen Mehlkloß mit dem Kochlöffel um, dass die Unterste nach oben kommt; nun lässt man es noch 10 Minuten kochen, gießt dann einen Teil des Wassers ab und zerrührt den großen Kloß zu Brocken, die man noch eine ¼ Stunde zugedeckt an einer heißen Stelle ziehen lässt.
Danach zerreißt man den Sterz mit einer großen Bratengabel, richtet ihn auf einer Schüssel bergartig an und gießt braue Butter oder gebratenen Speck kochend darüber. Es geht aber auch aus Weizenmehl oder Grieß, oder mit Pilz - oder Schwammsuppe.

Sunday, January 1, 2012

"El Tigre Andrajoso"

The mid '60's were a very busy time for Marisa Mell rushing from one movie set to the next. Having only worked in previous years on native Austrian or German movies she found herself now working in England. Her international career was taking off. "French Dressing" directed by a still very young but already established tv-director Ken Russell was just the beginning. Her next movie kept her also working in England. It was a James Bond-spoof called "Masquerade" directed by Basil Dearden, who was almost at the end of his movie career but would go out with a bang when he directed a year later hero Charlton Heston in the block buster epic "Khartoum". Masquerade was partly shot in England for the interiors and Spain for the exteriors. There are not many behind-the-scene pictures of Marisa Mell relaxing between takes so this photo series from 1964 makes it extra special. During the shoot in England of this movie Marisa Mell found the time to make a photo shoot for a Spanish glamour magazine together with her co-stars Norwegian actor Tutte Lemkow and the little man of the movie Spanish extra Jose Burgos. In this movie Marisa Mell would also make for the first time acquaintance with French actor Michel Piccoli whom she would meet again a few years later in "Danger: Diabolik!" playing the role of  inspector Ginko, Diabolik's arch nemesis.
Because it was for a Spanish magazine what better subject to choose than the flamenco danse and playing "El Toro" for the photo camera. Although Tutte Lemkow was a quite accomplished actor, dancer and musician in his time the general movie audience hardly recognizes his name anymore. He worked with a lot of great names from that era like John Huston, Terence Fisher, Peter Sellers and even Steven Spielberg on "Raiders of the Lost Ark". He is still best known for his part as the fiddler in the classic "Fiddler on the Roof". Little is known about Jose Burgos. He only made 2 feature movies, this one, and another rather well known cult movie "The Valley of Gwangi", famous for the Ray Harryhausen stop motion dinosaurs. Then he disappeared completely from the movie scene to be surfacing again in 1995 for an role in a short movie.
So three actors killing time on a movie set between takes. What is also interesting to know is that during the production of the movie "Masquerade" the production title of the movie  was called "The Ragged Tiger" or in Spanish "El Tigre Andrajoso". After the production the Spanish title became in the end "Agentes Dobles".

Saturday, December 17, 2011

Walter Giller dies at age 84!

On December 15th 2011, one of Germany's most beloved actors "Walter Giller" died at age 84 due to lung cancer related complications. Walter Giller is regarded as one of the post WOII titans in German cinema and television with more than 137 credits in this field to his name next to his other works in theatre, on radio and other media platforms. More than 55 years he was married to another German grande dame in movie and television making the actress "Nadia Tiller". Walter Giller died surrounded by his close family in a retirement home. Fans of Marisa Mell will remember him as "Woody Johnson" in the 1964 movie "Der Letzte Ritt nach Santa Cruz" where he portrayed a rather cowardly man who had to face the bandits on the run. On this very rare behind the scene picture from 1963 we see from left to right: Thomas Fritsch, Marisa Mell, Walter Giller, Marianne Koch and Mario Adorf! Marianne Koch would one year later become "Marisol" in Sergio Leone's über cult classic "A Fistfull of Dollars" with Clint Eastwood. Mario Adorf  would meet Marisa Mell again four years later in the Italian comedy "Le Dolci Signori" with Ursula Andress. Although this picture is a happy behind the scene setting it is a rather revealing picture when you look at the body language of the actors. First you see three groups of people: on the left you have Thomas Fritsch standing alone, then you have Marisa Mell and Walter Giller close together standing higher than the other actors and finally the third group of Marianne Koch and Mario Adorf. When you look deeper into the picture you can see clearly that Marisa Mell and Walter Giller are lovers at the moment of the production of this movie! Although he was married to Nadia Tiller at the time he clearly is in love with her and most of all she is also with him. The love affair is being kept secret to the public at large but the insiders know it very well and the body language reveals it! How??? First they are standing together as a couple a little higher? Secondly they are standing very close to each other, Walter Giller is touching with his right arm the left breast of Marisa Mell which is a very intimate gesture that she would not have accepted if it were otherwise. Compare that posture with the other couple on the picture Marianne Koch and Mario Adorf who are also standing very close but keep each to themselves as they are not lovers but good friends. Marianne Koch has even the tumbs of her hands in the pocktes of her trousers which means that she protects her personality like when people make a fist around their thumbs with their fingers. Another giveaway that Marisa Mell and Walter Giller are lovers is the fact that they deliberately touch each other with their legs in an intimate way. Walter bends his right leg to touch the wall, but Marisa Mell crosses her right leg over her left leg being able to touch Walter's which is not an innocent gesture! And finally the ultimate gesture of Marisa Mell in connecting with her man is that her hips or the centre of her womenhood is connecting with the hips of Walter Giller meaning that she is completely infatuated with this man. Compare this gesture with the other couple where you can clearly see a gap between Marianne Koch and Mario Adorf. The fact that they are not looking at each other is just a little diversion to distract their secret relation. So it is clear that at picture can say more than a thousand words!
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Thanks to André Schneider for signaling the sad news of Walter Giller's death!

Tuesday, December 13, 2011

Sir! Please be kind to my movies!

It is always nice to hear from other Marisa fans in the world. It is even better to read their opinions about the movies that she made during her most active years in Eurocult cinema during the 60's and 70's. Jim West is one of those fans who has undertaken the task to write several critical reviews about the Marisa Mell movies that he has seen in recent past and will see in future months. Jim West is not a beginner in this field and has a great and very interesting site called "Common Sense Movie Review" (www.commensensemoviereview.com) where he has published dozens of interesting movie reviews ranging from James Bond, Hammer Movies, Twilight Zone to actor and actresses like Russell Crowe and another Eurocult star Barbara Bouchet! I wonder what movies that he will review next on his "Marisa Mell Marathon"?