Women in Red!

Marisa Mell had just finished theatre school when she was cast in 1959 in the role of "Alka" for the West-German production "Am Galgen hängt die Liebe", a war story based on a Greek tragedy! To promote her as an up and coming actress for this black and white movie this promotional photo was made where Marisa Mell was gorgeously shot in all her beauty at the tender age of 20 years. The photo was strongly enhanced in color, even changing her emerald green eyes into aqua blue eyes for a more dramatic effect! Making this photo also special is the way Marisa Mell is sending a very clear no nonsens message to the person standing next to the lens, one might even call it an accusing stare at that person! To my knowledge, never ever again in her career she made a photo like this one with such intensity! 

The Dutchess

Augen wie eine Sphinx

MARISA MELL

Diese Frau ist wie für den Film geschaffen. Selbst wenn sie überhaupt keine schauspielerisches Talent besässe, hätte sie das Zeug zum grossen Star, denn ihre blosse Erscheinung fasziniert. Ideal Ihre Masse, katzenhaft elegant ihre Bewegungen,wunderschön und voller Rätsel ihr Gesicht. Aber diese Marisa Mell, die aussieht wie ein Männermordernder Vamp, wie ein moderne Version der “Lulu” oder des “Blauen Engels”, hat ihre Sphinx-Augen auf höchst bürgerliche Lebensziele ausgerichtet: Sie is seit einiger Zeit mit einem Kaufmann verlobt, möchte bald heiraten und Kinder haben. Ihre Karriere bedeutet keineswegs alles, aber dennoch hat sie ihren Beruf nie auf die leichte Schulter genommen. Marisa, am 25 februar 1939 in Neumarkt (Steiermark) als Marlies Moitzi geboren und in Graz aufgewachsen, erlernte die hohe Kunst des Schauspiels am renommierten Wiener Reinhardt-Seminar. Susi Nicoletti und Fred Liewehr waren ihre Lehrer. Direkt im Anschluss an ihr driejähriges Schauspielstudium erhielt sie ihr erstes Filmangebot für “Im Nachtlokal zum Silbermond”. Danach gab ihr der junge Regisseur Edwin Zbonek die schöne Chance, in dem anspruchvollen Film “Am Galgen hängt die Liebe” mitzuwirken, der weit besser war als sein Titel und mehrfach preisgekrönt wurde. Die Filme “Wegen Verführung Minderjähriger”, “Der Brave Soldat Swejk”, “Lebensborn”, “Ruf der Wildgänse” und “Das Rätsel der roten Orchidee” schlossen sich an. Marisas eigentlicher Durchbruch abert erfolgte in dem umschritten Rolf-Thiele-Opus “Venusberg”. Es steht allerdings zu befürchten, dass die Rolle der morbiden und liebestollen Frau, die sie darin verkörperte, sie auf eine ganze Weile in ihrem Filmfach festlegen wird. Allerdings ist Marisa intelligent genug, sich dem Film nicht mit Haut und Haaren zu verschreiben. Als sie neben Heinz Rühmann ein kleine aber attractive Rolle im “Braven Soldaten Swejk” spielte, sagte sie zu einem Reporter:”Ich glaube nicht, das das zufällige hineinrutschen in die Filmbranche mir ein paar kleinen oder grosseren Rollen auf Grund eines zufällig fotogenen Gesichts mir die Erfüllung dessen bringen kann was ich von meinem Beruf erwarte. Ich möchte mich auf der Bühne freischwimmen.”
Marisa Mell ist unter der Anschrift c/o Agentur Jovanovich, München 22, Widenmayerstrasse 23, zu erreichen.

Am Galgen hängt die Liebe!

The career of Marisa Mell stretched from the early 60's, over the 70's and 80's, untill the early 90's. A lot of movies from her career, especially the ones from the late 60's upwards are mostly available on DVD but the ones from her early career are not. They are still waiting to see the light of day again. One of those movies is the black and white West-German WO II themed movie called "Am Galgen hängt die Liebe" (known in English as "Love hangs from the gibbet")from 1960. It got its world opening on October 21st, 1960. The Austrian director of this movie "Edwin Zbonek" won in 1961 at the Valladolid International Film Festival the "Golden Spike" for his first movie. The above picture is a staged studio photo of Marisa Mell for the press book in her role and dress as Alka, the daughter of an eldery Greek couple! On this picture you can see beautifully her emerald green eyes for which she later would be notorious.The plot: An odd, incompatible analogy to an ancient legend is the basis for this conventional wartime drama. In the legend, an elderly Greek couple were the only people on earth to provide hospitality to the god Jupiter, and he was so appreciative that he granted them one wish -- which was that they be allowed to die together. The god then turns them into two trees whose branches symbolically intertwine. In this drama set in 1944 on a Greek mountainside, Greek partisans are fighting German troops when an elderly couple agrees to give a desperate partisan refuge. They go so far as to protect him from German troops who search their home but come up empty-handed. When the shoe is on the other foot and two German soldiers seek asylum with the same couple, they also shelter them. The results turn out to parallel the "letter" but not the spirit of the legend.

After it's opening, the movie caused a little turbulance in the German cultural and film world as mentioned in this article published in the 1961 issue of the German quality magazine "Der Spiegel" for week 19 starting on page 81. (Sorry a better scan was not available!) It all started with the critics from the "Film Bewertungsstelle Wiesbaden" (FBW), some sort of German Film Board with seat in the German town called Wiesbaden. After screening of the movie they were unable to give some kind of quality label for this film because the quality of the movie in their eyes on artistic level was not in accordance with the hard subject of the movie and it's story. In november 1960, they called the movie "trash". A few weeks later at the German Movie Week in Madrid, Spain, the movie was outed by the Spanish critics as the best movie of the whole week. Oooops!!! But the German critics are not that easily beaten! They stayed with their opinion. Due to the bad German critic, most of the cinema owners did not book this movie as they normally would have done with this kind of movie. Only 360 cinema owners took the risk in stead of the normally 1300. Another result of the decision of the German Film Board for not labelling this movie was the fact that the cinema owners were not getting any discounts on their entertainment taxes which they normally would have gotten when they were showing a movie labeled "valuable" or "extremely valuable" by the board. (In the 60's, cinema owners got a reduction on their entertainment taxes to be payed to the German state when they were showing movies which got a label from the FBW. This was a way of the state to educate the German population by inciting cinema owners to show this movie to the population, not only in the major cities, but also in the rural towns, who would otherwise not see this movie at all because they were living to far away from major cities. Keep in mind that in the 60's the infrastructure in Germany, like railway and highway, was not as it is now!) The article then mentions other movies that got no label or which got questionable labels like Chaplin's "The Kid" as only "valuable" while the western "Alamo" got the label "extremely valuable".
The second part of the articles gives more examples of movies that had questionable labels by the FBW!

Although the producer had the opportunity to get some kind of appeal against the decision of the FBW, they only voiced a protest and for the rest kept quite. As mentioned before the director got a price and also the German critic of that moment Marten Beheim-Schwarzbach called the movie a "fascinating movie in every detail as a work of art". To conclude, a week after the decision of the FBW not to label this movie, the Austrian Film Board called the movie "extremely valuable". Case closed!

Stunning photo of Marisa Mell (1)

Marisa Mell was such a stunning beauty that during her career she did a lot of photographic work for covers and layouts on dozens of magazines like Vogue, Harper's Bazar, Life, Playboy, Cine Revue, Stern, Photoplay... and many, many more. During the course of this blog some of these stunning photo's will be published. So we start with one of, in my opinion, the most stunning pictures I have ever seen of Marisa Mell and I have seen a lot of great pictures of her. What makes this picture so special? Well, it shows Marisa Mell in the mid '60's during summer time. She is not a young girl any more like in the movie "Am Galgen hängt die Liebe" (1960) nor the sex kitten in Danger: Diabolik! (1968) but something in between both kind of women. Marisa Mell is standing on the banks of a port in a southern country problably somewhere in Italy. She is dressed in a typical flower power suit from that period and her skin tone is rather dark so she already got some sunshine during her stay. She is relaxed and wearing her favorite kind of earrings. Her face, eyes, beauty and wardrobe are in harmony together and create a fascinating picture of the 60's. A natural beauty from a time long gone by when actresses were still actresses of flesh and blood and not plastic empty dolls like today due to overkill on plastic surgery.