In this magazine clip from the mid '60's Marisa Mell is reading a magazine called "Sogno" meaning "dream" in Engish. The title of the article is called "Il fotoromanzo e' uno svago sano e legittimo" meaning "the photo novella is a healty and legitimate way of relaxation", which I find a rather strange title for an article. But on second thought it is not! Why? Like almost all pop culture items like comics, pulp novels, televison series, soap opera's... what the general audience likes to relax with after a long day of work, another part of the population had for a very long time a very low estime for. Very often some kind of professor or scholar was behind a certain train of thoughts. The most famous case is probably in America professor Fredric Wertham in 1954 and his attack against the horror comics from publisher EC Comics which in his opinion was "A Secuction of the Innocent". Although more than decade later reading a fotoromanzo in Italy was probably not a naturally thing for a women to do in public who liked to dream away with her romantic heroes and heroines. So this explaines why Marisa Mell is reading this magazine "Sogno" from publisher Lancio and the article is declaring that nothing is wrong when you like to read those kind of stories. Italy had in the mid 60's a very strong pop culture output with fumetti's like Diabolik, Tex, Akim... for the general male audience and Lucifera, Jacula, Bianca Neve... for the porn-horror male fan.
Women on the other hand had their romantic novels and instead of fumetti, being drawn comics, they had their photo novella's with romantic themes. The first photo novella was published in Italy on May 8th 1947 and was called "Il mio sogno" or "My dream". The first issue was an adaption of a novel and due to the success of the photo novella it became quickly a weekly series with in the beginning also adaptations of succesfull movies like "Sissi" with Romy Schneider and later specially written scenario's. The big boom in the photo novella genre came in the sixties with the rise of publisher "Lancio".
Lancio was founded in 1936 in Rome as a publicity company but it's fame started in 1960 when they decided to also publish photo novella's. What was new about them was that they told their stories in a dynamic way, that they used very beautiful men and women as actors and actresses and that the themes of their stories were very modern and nothing was sacred to them. The success was huge and there was no stopping them. Due to the success of their publications with names like Charme, Marina, Letizia... they even went to Paris or New York to shoot their stories and did not stayed in Rome all the time.
At the hight of the photo novella in 1976 all the publishers in Italy sold more than 8 million copies a month and Lancio sold more than 5 million of that number. Another aspect of the succes of the photo novella was the fact that they were the breeding ground for new actors and actresses, often on the brink of breaking in in the movie or television business. A lot of famous actors and actresses today started in the photo novella in Italy like Sophia Loren and Gina Lollobrigida and later Ornella Mutti and even genre stars like Franco Gasparri (Mark Il poliziotto), Laura Antonelli, Luc Merenda, Kirk Morris, Ivan Rassimov... and many others made their first steps in showbizz on the stage of the photo novella.
Today the photo novella is still alive in Italy and around the world, especially in the Latino countries. There are now only a few publishers and they are struggling to keep their print run to a profitable level. Thanks to their loyal followers, especially women, the publications are still a steady seller but not anymore the hugh numbers from the 70's. What still is a fact is that they are a stepping stone to a movie and television career. And even the opposite is happening: due to the big succes of reality shows some of their participants like Gilles Rocca were able to cross over into the photo novella and will ultimately thanks to his acting talent and charisma make it to movies and television and so the circle closes for him.
Other photo novella actors and actresses will stay as long as they are wanted by the publishers in the phantasy realm of the photo novella like Francesca R. Filone with occasionally trips to other mass media but she will always come back to her first job! Others will leave forever and start a job outside the mass media.
To close, Marisa Mell by my knowledge, never acted in a photo novella. She knew probably a lot of beginning photo novella stars because they were all living in Rome and some of them worked with her in her movies like Marina Giordana in "La belva col mitra". What did happen is that some of her movies like "Danger: Diabolik!" were made into a photo novella but that is another story.
During her filming of "Danger: Diabolik!" in 1967, Marisa Mell was invited to New York to audition for the role of Mata Hari in the musical with the same name which was going to open in New York, Broadway in the following year. When she got the part, as mentioned in another blog entry, the producers found it a good idea that Marisa Mell should appear in several magazines in the States to make her name a house hold name. So she appeared in McCall's Magazine but also as a fashion model in the November 1967 issue of Vogue, the number one fashion magazine in the world. What is so special about this picture is the fact that this photo brings together the middle-east and the west in one person. Marisa Mell has done her hair in a typical 60's hair-style like almost all the fashion models of that time but her dress is not at all western, it is a classical middle-eastern dress called "Jellabiya". The Jellabiya or in Arabic: الجلابية , pronounced Gellabiya in Egypt, is a traditional arab garment native to the Gulf region worn by women as a casual dress or as evening wear depending on the amount of work, complication of design beadwork as in this dress worn by Marisa Mell. The Jellabiya dates back to early days of civilization in the Arabic countries of the Gulf. Jellabiyas are also created for men; however, these include a minimal amount of design and are usually just striped or plain in a variety of colors. You have three kinds of Jellabiya: a) the casual Jellabiya: This is often a casual garment using a minimal amount of textiles and design; b) the evening Jellabiya: several different mediums are used to create these Jellabiyas. They include, beadwork, embroidery, different stich patterns as well as various textiles such as silk, lace and even wool and c) the wedding Jellabiya: Jellabiyas worn by the bride at weddings are much like evening Jellabiyas; however, they usually are quite excessive. Unfortunately her role in Mata Hara was a short one and she never got to Broadway, just some try outs in Washington DC. This faillure was very hard for her to swallow and took some time to get over with.
An Egyptian peasant women sitting on the banks of the river Nile in the 1890's looking at the Temple of Philae during sun set wearing a traditional black Jellabiya. 
In 1958 Germany was still recovering from WWII when a German author by the name of Will Berthold wrote a book that shook Germany on its foundation at that time: "Lebensborn E.V.". In this book he tells the story of Lebensborn (= Fountain of Life) a Nazi organization set up by SS leader Heinrich Himmler, which provided maternity homes and financial assistance to the wives of SS members and to unmarried mothers, and which also ran orphanages and relocation programmes for children. Initially it was set up in Germany in 1935 but Lebensborn expanded into occupied countries in western and northern Europe during WWII. In line with the racial and eugenic policies of Nazi Germany, the Lebensborn programme was restricted to individuals who were deemed to be "biologically fit" and "racially pure" "Aryans", and to SS members. After WWII it was falsely reported that Lebenborn was a breeding programme. This was not true because individuals were not forced to have sex with selected partners. However, the programme did aim to promote the growth of "superior" Aryan populations through providing excellent health care, by restricting access to the programme with medical selections that applied eugenic and "race" criteria and by creating a meeting place of men and women who were the perfect specimen of the Aryan type. Germany in the 50's and 60's became obsessed with their Nazi-history and the book became a huge bestseller. Everybody wanted to know the history of this programme. So it wasn't long that a German production company "Alfa Film" saw money in this story and made this book into a movie in 1961 with Maria Perschy 
