"Edgar Wallace" by Tobias Hohmann

As a Eurocult fan I often dream about the perfect book regarding my passion! Once in a decade that book does come along and you've got to have it no matter what price! In the last decade it was Tim Lucas' opus maximus about Italian movie maestro "Mario Bava". Although this decade is still young it will probably be the book about "Edgar Wallace" written by German author Tobias Hohmann. This book has it all about the German movies based on the crime novels of British writer "Edgar Wallace" and those by his son "Bryan Edgar Wallace"! The book clocks at a whopping 866 pages full of... well, everything you ever wanted to know and see about these German cult movies of the 60's and early 70's. The next examples of pages should give you quite a good idea what I am talking about. And when you know that some of the movie memorabelia have been given for this book by some very die hard German fans you know that you are going to see many items never been seen since the release of the movies so many years ago!And of course, the fact that Marisa Mell appeared in two movies of the series "Das Rätsel der roten Orchidee" and "Das Rätsel des Silbernen Halbmonds" is the icing on the cake!Thanks to Holger Haase for pointing this one out! Holger has a phantastic blog about the Edgar Wallace-movies: http://krimifilm.blogspot.com/

A cat with an attitude!

During the production of the movie "Danger: Diabolik!", directed by Mario Bava and starring John Phillip Law as "Diabolik" and Marisa Mell as "Lady Eva Kant", the production crew did not only film in the studio's owned by producer "Dino de Laurentiis" called "Dinocitta" in Rome but also outside in two other places in the Italian country. The first place was Turin, a major city as well as a business and cultural centre in northern Italy, mostly famous for the Shroud of Turin, a linnen cloth with the face of Jesus. The other place is Anzio, a city and comune on the coast of the Lazio region of Italy, about 57 km south of Rome. The city is well known for its seaside harbor setting, fishing port and a departure point for ferries and hydroplanes to the Pontine Islands of Ponza, Palmarola and Ventotene. During the production of the movie, Marisa Mell and John Phillip Law were a real life couple and were living together (as can be seen on a photo in the the excellent Tim Lucas book about the life and work of Mario Bava called "All the Colors of the Dark"). While filming on the beach of Anzio, best known in the movie for the famous Diabolik castle-scaling scene, both actors found a little stray black kitten. Marisa Mell being an animal lover could not leave the kitten to its fate. So she adopted the little one. Giving it a name was not difficult either: Diabolik. The character Diabolik in the Italian fumetti is often refered to as the black cat in 60's, the early years of the comic, in later years he is called the panther. The cat stayed with the couple during the entire production of the movie from april untill may of 1967. At the end of the production, both actors seperated and went their own way. Because Marisa Mell was more a dog then a cat lover, having owned several dogs during her life, the black cat found probably a new home with one of the productions members. Nevertheless, Diabolik the cat became movie history thanks to the behind the scene pictures of the staff photographer.

Mario Bava - Italian Horror Film Maestro Celebrated In Colorful Biography

Career of influential cult director Mario Bava becomes the work of a lifetime by noted genre expert Tim Lucas

"Tim Lucas has devoted himself to getting the word out about Bava's greatness," writes film director Martin Scorsese (Goodfellas, The Departed) in his Introduction to Mario Bava All the Colors of the Dark (Video Watchdog), "[and] this book is the pinnacle of his efforts."

Indeed, in this massive critical biography -- the product of interviews with more than 100 colleagues, friends and family members, and 32 years in the making -- Lucas explores in unprecedented detail the life and legacy of one of the most original, influential, and secretive filmmakers of the 20th century.

Best known as the maestro of many aggressively cinematic, candy-colored Italian horror and fantasy films (Black Sunday, Black Sabbath, Danger: Diabolik), Mario Bava spent the first twenty years of his career as one of Italy's leading cinematographers, during which time he was helped to cultivate the screen personas of such actors as Aldo Fabrizi, Gina Lollobrigida, and Steve Reeves. He was literally present at the beginning of each new form of cinema native to his country, from operettas to neorealism to sword and sandal movies to Spaghetti Westerns. Most importantly, he was the principal visionary behind the Golden Age of Italian fantasy, which lasted from 1957 until his death in 1980.

Now, for the first time in any language, Lucas explores Bava's first two decades of cinematographic achievement, as well as his next two decades as a director whose work has been acknowledged as a major influence by such filmmakers as Scorsese, Tim Burton, Quentin Tarantino, Joe Dante, and Guillermo del Toro. In the course of his research, Lucas discovered that Bava often contributed uncredited direction, photography or special effects to the films of friends in need, and provides entire chapters of documentation elucidating this "Secret Filmography." Also included is the story of Mario's father and mentor Eugenio Bava, a silent film cameraman and the father of Italian special effects, who rose from contributing set decoration to Pathe Frères shorts to photographing Quo Vadis?, from creating special effects for Cabiria to an executive wartime position in Mussolini's film factory, the Istituto LUCE. The cumulative result is not just the story of "the supreme visual poet of the Italian gothic cinema" (The Penguin Encyclopedia of Horror), but a century-long family saga that occupies the first hundred years of Italian popular cinema -- a history not previously explored in English in such detail.

A staggering, 12-pound labor of love, interweaving biography, history and criticism, Mario Bava All the Colors of the Dark consists of 1128 pages of four-columned type (nearly 800,000 words!), fully illustrated with well over 1000 stills and annotated poster art from all over the world, most in full color and all subjected to a three-year process of meticulous digital restoration. Included are never-before-published family photos, documents, and drawings by Bava himself, and an eye-popping array of images that Bava fans never expected to see: a wealth of color shots taken on the set of the B&W classic Black Sunday, the only photos taken of Catherine Deneuve while briefly cast as the female lead in Danger: Diabolik, and dozens of pictures of the notoriously camera-shy director himself. The extensive appendices include filmographies for Mario and Eugenio Bava, international discography and videography, name and film title indexes, and a generous gallery of storyboard art by Bava, including his complete art for an unproduced 1970s project, Baby Kong. With an Introduction by Martin Scorsese and a Foreword by the late Italian director Riccardo Freda, Mario Bava All the Colors of the Dark marks an exciting new development in the fields of film-related biography and book-making. Simply to page through this remarkable tome, as overpoweringly visual as any of Bava's own films, is to feel like you're watching an epic film.

Mario Bava All the Colors of the Dark is available from Video Watchdog at http://www.bavabook.blogspot.com/.

Video Watchdog, PO Box 5283, Cincinnati OH 45205-0283, http://www.bavabook.blogspot.com/, 1-800-275-8395 or 513-297-1855.

Hardcover, clothbound, gold stamping on front and spine Dimensions in inches: 10.85w x 11.87h x 2.63d Dimensions in centimeters: 27.6w x 30.1h x 6.7d Full-color French-fold laminated dust jacket Full-color end papers 1128 Glossy, full-color pages Binding: stitched, extra-reinforced, roundback12 lbs (5.45 kgs)
ISBN: 0-9633756-1-X

PRAISE

"Exhaustive, perceptive... This book deserves a place on the bookshelves of all serious film lovers." -- Martin Scorsese, director of Goodfellas and The Departed

"It's absolutely mind-boggling! I don't know what Mario Bava would have made of all this, but wherever he is, he must be blushing Technicolor crimson... and very proud." -- Joe Dante, director of Gremlins and The Howling

"No one knew the circles of Hell like Bava, and in Tim Lucas we have found our perfect Virgil." -- Guillermo del Toro, director of Pan's Labyrinth and Hellboy

ABOUT THE AUTHOR

Tim Lucas is the editor and co-publisher of the award-winning monthly Video Watchdog, The Perfectionist's Guide to Fantastic Video. His articles, essays, and criticism have appeared in dozens of magazines in America and abroad, including Film Comment, Cahiers du Cinema, American Cinematographer, Fangoria and Cinefex. He is also a published novelist (Throat Sprockets, The Book of Renfield) and comics writer (Taboo), a DVD audio commentator, an award-winning blogger (Video WatchBlog), and a monthly columnist for the British magazine Sight and Sound.

Tim Lucas - All the Colors of the Dark