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Sunday, October 27, 2013

New Book: "Die Feuerblume - Über Marisa Mell und ihre Filme" by André Schneider


Today is a very special day for the Marisa Mell Blog because I am very honored and proud to announce that the very first biography of Marisa Mell about her life and movies is now available to buy:

"Die Feuerblume"

by

André Schneider


"Die Feuerblume" or "The Fire Flower", written by my dear friend André Schneider from Berlin (Germany), is a 354 page book chronocling Marisa Mell's life path from her early childhood days in Graz (Austria) under her civil name Marlies Moitzi to her international stardom in the sixties and seventies in Rome (Italy) and the eventually the world until her premature sad demise in the early nineties in Vienna (Austria).

After 7 years of intense international research André Schneider has written a wonderful book about the cult movie actress Marisa Mell that not only discussies in depth the merits of her movies, her career and her life as a famous Italian movie star but also maybe more importantly sheds new light on some rather obscure facets of her professional and private life that untill now have never surfaced before or have never been discussed before.

This book is a must read for every true movie fan or professional giving a fascinating insight by way of the life and work of the actress Marisa Mell into the workings of a movie career that can progress from the early steps as an aspiring theatre student at a famous theatre school into the pinacle of a movie career to the trappings of showbizz and the jet set life in cities like Rome, Paris, London and New York untill the downfall into obscurity and poverty.

Finally the book also discusses Marisa Mell's relationschips professionally and privately with other stars like Romy Schneider, Marcello Mastroianni, Ursula Andress, Christine Kaufmann, Claudine Auger, Monica Vitti, John Phillip Law, Tony Curtis, Senta Berger, Ushi Glas, Helmut Berger, Diana Ross, Anthony Perkins, Mario Adorf, Guilliano Gemma, Anthony Steffen, Erika Pluhar... or directors like Mario Bava, Lucio Fulci, Vincente Minelli, Mario Monicelli, Sergio Grieco, Aldo Lado...

The book is illustrated with more than 130 pictures from Marisa Mell's professional and private life in color and black and white. Most of them have never been published before and will probably never be published ever again! 

The text of the book is German but it has an appendix in English, Spanish and Italian together with a complete extensive filmography and list of her theatre work.

The book can be purchased at:





A Kindle or e-book version of the book will also be available in the near future.

André Schneider, an accomplished actor, writer and director, can be reached for all inquiries regarding this book and his work through his own website:

http://vivasvanpictures.wordpress.com/

The Marisa Mell Blog will soon have an interview with André Schneider discussing this important book on the life and work of Marisa Mell. 

Stay tuned!

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Review of the book by  film connaisseur  and Marisa Mell expert "Prisma" can be found at the Italian Euro Cult Movie site "Dirty Pictures":

http://dirtypictures.phpbb8.de/post146743.html

Saturday, October 5, 2013

"Danger:Diabolik!" by professional artist James Gilleard


James Gilleard is a 31 year old professional illustrator and animator living and working in London (UK). He has been always interested in art and drawing since he can remember. "The first image" James says "that I ever did that I can remember getting a good grade for was an image from the US television series "Knight Rider". 

Marisa Mell Blog (MMB): James, thanks for granting this interview! Can you tell us about your method of working in creating your wonderful art pieces?

James Gilleard (JG): Thank you for having me on the Marisa Mell Blog! My method of working starts with a sketchbook where I sketch characters and tumbnails for layout... This is usually very rough! I then scan the images and draw them with Illustrator - creating a line version of the image before moving to colours. I usually make colour keys for my images depending on the time.

MMB: When you look at you art a lot of pieces are from the 50's, 60's and 70's, often called the "golden era" of modern film making, a time now long gone by in the movies! Why do you like that era so much?

JG: I love the aesthetic of the 1950's, 60's and 70's. This applies to most things like fashion, design, art, architecture, advertising... I focus most of my work within these times. I really like modernism which is in use widely during these periods.

MMB: How did you get to know the movie "Danger: Diabolik!"?

JG: I noticed the existence of the movie for the first time online while researching retro futurism, I think. I came across the poster and photos from the film. I loved the poster of the movie. Marisa Mell looked amazing in her red one piece. She has a very 60's look to her, and her hair looks great too. These were the main reasons I wanted to create the poster that you see above at the beginning of this entry on the MMB.  I used the MMB a lot for reference about the movie and the life and work of Marisa Mell. Then I was invited to take part in the "Red Show" with Planet Pulp. Sadly the poster did not sell that well and the reason I was being told was that it is too obscure.

MMB: Had you ever heard of the name "Marisa Mell" or knew the existence of an actress called "Marisa Mell" for the start of your project?

JG: I had never heard of her before this project or seen any pictures with her as an actress. I made a big list of the movies I like to see with her in it! 

MMB: What is that you like about her?

JG: Like I said before, I like her hair, wardrobe, make up very much from that era! She is quite a symbol of that era.

MMB: Where can readers of the MMB buy your stunning art pieces?

JG: My art is available through my art agent and also at certain galleries across America like:

Bottleneck Art Gallery: http://www.bottleneckgallery.com/
Hero Complex Gallery: http://www.herocomplexgallery.com/
Spoke Art Gallery: http://spoke-art.com/

MMB: Thanks again, James, for this interview, it is highly appreciated and good luck with your creative career.

James Gilleard has a wonderful blog of his own showing all his phantastic art pieces and creations:

Saturday, September 14, 2013

"Marisa Mell" by Brazilian artist XICO


On a regulary basis since the start of this blog more than 5 years ago I get mails from Marisa Mell fans living all over the world telling me often in a very emotional way how much they all still very much like her and the films she starred in so many years ago which is quite remarkable to me! Although Marisa Mell was quite famous in her time she never gained notority like Marilyn Monroe or stardom like Sophia Loren... , yet, a lot of people were profoundly touched by her presence and work. One of those Marisa Mell admirers is Brazilian artist XICO who has drawn this beautiful picture of Marisa Mell in her honor! 


Romy Schneider as "Sissi" drawn by XICO

XICO has two beautiful blogs where he shows his art: 


and


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Thanks XICO for this wonderful rendition of Marsia Mell! It is highly appreciated!

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The Marisa Mell Blog is always on the look out for fan art of Marisa Mell! So if you would like to contribute to this blog feel free to send me a mail with your creations! Thanks! 

Saturday, August 17, 2013

"La Encadenada" or "Diary of an Erotic Murdress" - Review by André Schneider

Today's entry is a real treat for the Marisa Mell Blog! André Schneider from Berlin (Germany),  a gifted actor, director, producer, musician, and writer and above all a huge Marisa Mell fan, has granted me permission to pubiish his reviews of several key Marisa Mell movies. "And what may be so special about his reviews?", you ask! Well, most movie reviews in magazines and other publications like blogs are mostly written by non-professionals from the métier of film making. So they are very often written in the same way, using the same language and style or are writing from the same point of vue: the lay man going to the movies. The fact that André Schneider is a professional film maker gives the reviews extra depths and layers that not often are found in movie reviews. And in combination with André Schneider's profound knowledge of movie history from all genres in the field makes the reviews a must read for every Marisa Mell fan or movie fan in general! The first movie André Schneider is going to review is one of his favorite Marisa Mell's movies, if not the favorite one: "La Encadenada" or "Diary of an Erotic Murderess". Enjoy!



Diary of an Erotic Murderess

Originaltitel: La encadenada/Perversione; Regie: Manuel Mur Oti; Drehbuch: Emilio Martínez Lázaro, Manuel Mur Oti, Rafael Moreno Alba, Mario Siciliano; Kamera: José Luis Alcaine; Musik: Carlo Savina; Darsteller: Marisa Mell, Richard Conte, Anthony Steffen, Juan Ribó, Richard Baron. Spanien/Italien 1975. IMDb.


La Encadenada

1970 befand sich Marisa Mell in Italien im Zenit ihrer Popularität. In den kommenden fünf Jahren spielte sie in etwa 20 Filmen, von denen die meisten heute (leider zu Recht) in Vergessenheit geraten sind. (Lediglich den an diverse Hitchcock-Klassiker angelehnten Thriller »Marta« (Regie: José Antonio Nieves Conde) mit Stephen Boyd sollte man, wenn sich die Gelegenheit bietet, wirklich anschauen.) »La encadenada« war der zweite von insgesamt drei Filmen, die die Österreicherin Anfang der siebziger Jahre in englischer Sprache für die spanische Produktionsgesellschaft Emaus drehte. Für die internationale Auswertung bekamen die Emaus-Filme allesamt lächerlich reißerische Titel verpasst: aus dem interessanten »Pena de muerte« (Regie: Jorge Grau) mit Fernando Rey wurde »Violent Blood Bath«, aus »Infamia« (Regie: Giovanni d’Eramo) »Death Will Have Your Eyes«, und aus Manuel Mur Otis »La encadenada« (wörtlich: »Die Angekettete«) schließlich »Diary of an Erotic Murderess«. Das ändert jedoch nichts an der Tatsache, dass gerade diese drei Mell-Filme die mit Abstand sehenswertesten aus dieser Zeit sind; »La encadenada« dürfte sogar ihr schönster Film aus den Siebzigern sein. Unglücklicherweise wurde das kleine Juwel bis zum heutigen Tage im deutschsprachigen Raum nicht zur Aufführung oder gar in den Verleih gebracht. (Eine um ca. acht Minuten gekürzte US-Version des ursprünglich 94 Minuten langen Streifens wird kostengünstig von diversen Internethändlern auf DVD-R angeboten.)


Nur ganz kurz zur Handlung: Der Tod der Mutter ließ den Millionärssohn Marc (Juan Ribó in seinem Filmdebüt) plötzlich verstummen. Mit seinem erratischen Verhalten terrorisiert er die Hausangestellten. Nachdem er mal wieder eine Gouvernante vergrault hat, engagiert sein Vater, der Industrielle Alexander (Richard Conte in seinem vorletzten Filmauftritt), die attraktive Psychologin Gina (Mell), die sich fortan verständnisvoll um den Jungen kümmert. Doch die junge Frau birgt ein düsteres Geheimnis: sie ist keine Psychologin, sondern eine verurteilte Diebin auf der Flucht vor ihrem gewalttätigen Ehemann (Italo-Western-Ikone Anthony Steffen), der ihr bereits dicht auf den Fersen ist. Im weiteren Verlauf der Geschichte spielen ein benachbartes Templerkloster, der Heilige Gral, ein geheimnisvolles Tagebuch, ein Gasmord in der Badewanne, Lügen, Erpressung, Besessenheit und der Drang, sich aus einem Netz von Intrigen und Habgier zu befreien, wichtige Rollen.


In keinem anderen Film ist Marisa Mell so atemberaubend schön und geheimnisvoll wie in diesem. Kameramann Alcaine weidet sich förmlich an ihrem großflächigen, makellosen Gesicht mit den leicht schräg gestellten grünen Augen, den vollen Lippen und dem markanten Kinn, Carlo Savinas zarte, in diesem Gefüge wie eine Liebeserklärung wirkende Klaviermusik untermalt Bilder, die so erlesen sind, dass man sie ausdrucken, einrahmen und an die Wand hängen möchte. Bei so viel Ästhetik vergibt man gern die zahllosen Wendungen des überfrachteten Drehbuchs — ja, es ist tatsächlich noch von galizischen Hexen die Rede! —, die logischen Brüche und die platte, zeittypische Psychologie.


Dass Manuel Mur Oti seinen Produzenten den fertig geschnittenen Film bereits am 15. März 1974 vorlegte, lässt darauf schließen, dass die Dreharbeiten schon Ende 1973 stattgefunden haben müssen. Mit diesem Werk, das damals schon ein wenig altmodisch gewirkt haben muss, stieß er auf Unverständnis, und so hatte »La encadenada« einen langen und harten Weg zurückzulegen, ehe er dem Publikum zugänglich wurde. Emaus schien nicht recht zu wissen, was sie mit dem Film machen sollte und entschied sich, ihn zunächst in Italien auf den Markt zu bringen. Am 30. November 1974 wurde »La encadenada« dem italienischen Produktionspartner Metheus Films übergeben und startete unter dem Titel »Perversione« im Mai 1975 ohne große Anteilnahme der Öffentlichkeit in den italienischen Kinos. Erst im Januar 1977 war die Madrider Premiere, und leider lief der Film nur mäßig: Die Emaus verzeichnete einen mickrigen Bruttogewinn, der heute in etwa 73.750 Euro entspräche. Kein Wunder, dass die Produktionsfirma das Jahr 1977 nicht überstand und Konkurs anmelden musste.Mur Oti drehte hiernach nur noch einen Film, »Morir … dormir … tal vez soñar«, um 1979 in den wohlverdienten Ruhestand zu gehen. Zehn Jahre vor seinem Tod ehrte die spanische Filmakademie den inzwischen 85jährigen Galizier mit einem Goya, dem spanischen Äquivalent zum Oscar, für sein Lebenswerk. Ein verkannter Meister — grandios: »Un hombre va por el camino« (1950) und »Cielo negro« (1951) —, der nur 17 Filme inszenieren konnte und dem viel zu spät Tribut gezollt wurde. Im Rahmen einer Retrospektive wurde »La Encadenada« im August 1999 wiederaufgeführt und erfuhr schließlich die Zustimmung des Publikums, die ihm fraglos zusteht.


Vielerorts wirft man dem Film sein behäbiges Tempo vor, seinen Mangel an Blutrünstigkeit und Sex. Für einen handfesten Thriller fehlt es an Spannung, für einen Giallo an Titten, für ein Psychodrama an Tiefe. Mancher Rezensent sprach von einer Seifenoper. Giallo-Experte Christian Keßler, der ansonsten für praktisch jeden Film lobende Worte findet, bezeichnete »La encadenada« in seinem Verriss als »morbides Erotikdrama«. In meinen Augen ist das Werk ein dunkles Märchen, dem man sich aufmerksamen Blickes und mit angemessener Behutsamkeit nähern sollte. Tut man dies, wird man reich belohnt. Ein Film, in dem mehr steckt — viel mehr! —, als es auf den ersten Blick scheint.

André Schneider
27.03.2011
//
Thanks for the first review! It is highly appreciated!
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If you like to read more reviews about almost every genre of movie you can follow André Schneider's personal movie blog:

http://vivasvanpictures.wordpress.com/

Highly recommended!

Sunday, July 14, 2013

Cult movie star Christine Kaufmann: "My friendship with Marisa Mell!" (5th Anniversary MMB)


Today's entry for the 5th anniversary of the Marisa Mell Blog (MMB) is a real treat for all fans of Marisa Mell who are following day in, day out the blog since July 2008! Thanks to the continuous efforts of German Marisa Mell fan André Schneider from Berlin the Marisa Mell Blog is proud to show you a video made by German cult movie star and now health expert Christine Kaufmann talking about her friendship with Marisa Mell. 

Christine Kaufmann may not be well known by the present internet generation but during the 50's, 60's and 70's she was a major movie star first in Europe and then in Hollywood. At an early each of 7 years in 1952 she started her career in the German production of "Im Weissen Rössl" (White Horse Inn). Her major break came two years later with the absolute German cult classic "Rosen-Resli". She was then only 9 years old and captured the hearts of millions of Germans. Internationally she drew attention several years later in 1959 with the sword and sandal movie "The Last Days of Pompeii", co-starring Steve Reeves and in, one of my favorite movies, in 1961 with "Town without Pity" with Kirk Douglas, which earned her a Golden Globe Award.


In that same year she played in the historical action movie "Taras Bulba" with Tony Curtis. Not only were they lovers on screen but also in real life when Tony Curtis fell head over heels in love with his co-star. After his divorce with Janet Leigh, they married in 1963. During the marriage the movie career of Christine Kaufmann was more or less on hold as she devoted her time being Mrs Tony Curtis while giving him two wonderful girls Alexandra and Allegra. Sadly the marriage ended in 1968 and Christine Kaufmann came back to Europe to resume her movie career. 


Since then her movie and television credits have reached almost 110 entries, not forgetting her theatre career in German speaking countries. And if that was not enough Christine Kaufmann became an expert on everyting concering beauty, health and positive living making her a successful business women, promoting her own cosmetic line, writing her own books on beauty and health and two autobiographies on her life inside and outside the pictures. 

So let's hear what Christine Kaufmann has to say about her friendship with Marisa Mell:


For the Marisa Mell fans who are not speaking German here is a free translation of the video entry of Christine Kaufman:

So, one of the questions that I have been asked, I would like to answer as a video entry, namely to tell some anecdotes about MarIsa Mell. It was only in the 80’s that I have truly got to know Marisa Mell. I was filming in Rome, and I asked her if I could spent the nights at her apartment in Rome as long as it would take to shoot the movie because I really hate staying in hotels, being on your own in these hotels as an adult. During my childhood acting career I always stayed in hotels together with my mother. Marisa Mell found it no problem to put me up for several weeks but there was only one problem she said: Helmut Berger. He lives around the corner and he can become quite a nuisance at night!


Marisa Mell in the early 80's in a promotional picture for glasses

Marisa Mell was really great to stay with and she had a sweet dog! An afghan dog (Rocco). This story I would like to tell first. Marisa Mell declared that the dog was a reincarnation of someone which I do not remember now. The dog was so sweet and Marisa told with her husky Italian accent that the dog had telepathic powers. So I had my own sleeping room because I needed to get up very early in the morning to go to the film set during the week and in the weekends we were free. During my stay the dog had made it his habit to be always at my bedside just a few moments before I would wake up. I always laid on my back just before waking up and totally cuddled up under the blankets when the dog would come in and resting his head on the blankets just right under my face waking me up with his sniffing and warm breathing. One Saturday morning around 6 AM I thought just before waking up: “Please, come back in 5 minutes.” The dog went away and after 5 minutes he came back to wake me up! Later during the day I told Marisa what had happened. She said: “I told you so that the dog is telepathic”.


Marisa Mell pregnant walking with her dog Rocco

Let’s return to Helmut Berger. At that moment in time Helmut Berger was still a very beautiful man but as always very demanding. We had social gatherings with him like diner… One evening at 11 PM we wanted to go to bed when Marisa asked me: “Do you have by chance a tampon with you?” I said “yes, I have”! So she wanted to have one. Together we have then opened a new package, made it a little wet and put it behind the shell of the doorbell so that the hammer of the bell was blocked. And indeed around 4 AM in the morning the bell went “RRRRRRRRR” instead of the hellish “KKKKKKKKRRRRRRRR” as usual. So Marisa knew how to keep Helmut Berger at night away from your door.


Marisa Mell with Helmut Berger

After my stay in Rome I have not seen Marisa during a long time but we kept in contact together because, for me, she was an incredible women. She was a real pal and friend, like Sonja Kirchberger, who is also a women that becomes a real pal like myself though people not often recognize this.


Sydney Rome

Never mind. I saw Marisa back around 1985 or 1986 when I was playing again theatre in Germany, at the city of Bonn. Our age was around 40-ish. When we saw each other again we said jokingly “you are also not lifted yet”. Marisa had a very beautiful bone structure in her face. Then she told me: “Have you seen Sidney Rome?”. I said “yes” (BTW Sidney is a very sweet person). Marisa then said with a smile about Sydney Rome’s plastic surgery: “She can now whisper herself secrets in her own ears!” Please, I do not want to comment on that but at that moment it was so funny this line and the way Marisa told that to me in a serious manner. These are a few anecdotes about Marisa Mell. She had such a dry witty humor always commenting on life and people that we met in the same circles.


Erika Pluhar

Many years later in the 90’s I was in Vienna with a male friend, not a relationship but a brotherly friend, who was among the few people that were taking care of her when she died. Yes, it was him together with another women (Erika Pluhar) who took care of her. The women was also a famous actress. She had cancer and did not want to rely on the traditional cancer healing methods. She had an Indian guru (Sai Baba). Someone told her that she would heal due her faith in the Indian guru.


Marisa Mell with Indian classical dress "Sari"

I was told that she was still looking physically well when she died, not worn out by chemo or losing her hair due the therapies. She had accepted her illness with dignity. I was not a direct witness but only got it from hearsay but it competes with the way I always knew Marisa Mell: a strong women with which you could eat a spaghetti at home but could also appear at high end cocktail parties where she would wear fragile golden shoes because she had very beautiful small ankles with a stunning face.


Last public appearence of Marisa Mell before her death

I talked it once over with Helmut Berger that she had a very androgynous face. She could also have been a very beautiful man. So that is everything that I would like to tell you about Marisa Mell. She was a women who was very women friendly but could otherwise give witty remarks about other women like the face lift of Sydney Rome.
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I would like to thank Christine Kaufmann for this wonderful entry about her friendship with Marisa Mell down memory lane! It is highly appreciated. Thank you so much!
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And last but not least I would like to give my buddy André Schneider a BIG hug and thanks for making this entry possible! It is the best 5th anniversary present that he the Marisa Mell Blog could ever have given! Thanks mate!